{"id":1001,"date":"2005-02-21T16:13:01","date_gmt":"2005-02-21T05:13:01","guid":{"rendered":"http:\/\/hifi-writer.com\/wpblog\/?p=1001"},"modified":"2010-02-26T11:26:01","modified_gmt":"2010-02-26T00:26:01","slug":"a-weighting-the-saviour-of-many-a-poor-piece-of-equipment","status":"publish","type":"post","link":"http:\/\/hifi-writer.com\/wpblog\/?p=1001","title":{"rendered":"A-Weighting, the saviour of many a poor piece of equipment"},"content":{"rendered":"<p>The aim of makers of high fidelity audio equipment is &#8212; or at any rate, ought to be &#8212; to produce equipment that does not modify the signal, other than convert it (from a digital to analogue representation, or from electrical to acoustical action) or amplify it. One component of this is having a totally flat <a href=\"http:\/\/www.hifi-writer.com\/he\/dictionary.htm#frequencyresponse\">frequency response<\/a>. It may seem odd, then, that much of the technical measuring of audio equipment involves shaping the measured frequency response, using <a href=\"http:\/\/www.hifi-writer.com\/he\/dictionary.htm#aweighting\">A-weighting<\/a>.<\/p>\n<p><img src=\"http:\/\/www.hifi-writer.com\/blog\/graphics\/a-weight-curve.gif\" alt=\"A Weighting filter curve\" hspace=\"10\" vspace=\"3\" align=\"right\" \/> The purpose of this is to provide a <a href=\"http:\/\/www.hifi-writer.com\/he\/dictionary.htm#signaltonoiseratio\">signal to noise ratio<\/a> figure that more closely represents the human experience than a straight unfiltered measurement. The human ear is very much less sensitive to, for example, <a href=\"http:\/\/www.hifi-writer.com\/he\/dictionary.htm#bass\">bass<\/a> frequencies, than it is to <a href=\"http:\/\/www.hifi-writer.com\/he\/dictionary.htm#midrange\">midrange<\/a> frequencies. Our ears are at their most sensitive around 3,000 to 4,000 <a href=\"http:\/\/www.hifi-writer.com\/he\/dictionary.htm#hertz\">hertz<\/a>. A nasty noise produced by an amplifier in this range of frequencies is very much more intrusive than a deep bass hum.<\/p>\n<p>It is hard to find on the Web precisely what action an A-Weighted <a href=\"http:\/\/www.hifi-writer.com\/he\/dictionary.htm#bandpassfilter\">filter<\/a> has. Happily, Greg Borrowman, the editor of <em>Australian HI-FI<\/em> (for which I write), is a true gentleman. Having researched the matter and generated the curves, he has given me permission to provide them to the world via this site.<\/p>\n<p>So, for the A-weighting curve alone, <a href=\"http:\/\/www.hifi-writer.com\/download\/ACurve.pdf\">download this 31kB PDF<\/a>. If you want to explore further, you can <a href=\"http:\/\/www.hifi-writer.com\/download\/WCurves4.pdf\">download this 43kB PDF<\/a> which has the A, B, C and D weighting curves. The last is a doozie. Greg says of it:<\/p>\n<blockquote><p><span>It was apparently used when measuring noise in avionics applications, because it penalised engines with lots of output (noise!) in the speech area.<\/span><\/p><\/blockquote>\n<p>I shall have to set up a download page for this kind of thing. Shall do so in the next few weeks to avoid people having to search the Blog archives.<\/p>\n<p><strong>UPDATE<\/strong> <span style=\"font-family: Arial;\">(Tuesday, 22 February 2005, 9:22 am)<\/span>: Greg also forwarded the underlying data for these curves in text files. The data is the decibel offsets from a flat response at one third octave intervals from 10 to 40,000 hertz. I&#8217;ve taken the liberty of stuffing them into an Excel spreadsheet and graphing them, in case someone may prefer to fiddle with the raw data. <a href=\"http:\/\/www.hifi-writer.com\/download\/filters.xls\">Right-click here to download the spreadsheet.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The aim of makers of high fidelity audio equipment is &#8212; or at any rate, ought to be &#8212; to produce equipment that does not modify the signal, other than convert it (from a digital to analogue representation, or from &hellip; <a href=\"http:\/\/hifi-writer.com\/wpblog\/?p=1001\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,30,47,24],"tags":[],"_links":{"self":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/1001"}],"collection":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1001"}],"version-history":[{"count":1,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/1001\/revisions"}],"predecessor-version":[{"id":1002,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/1001\/revisions\/1002"}],"wp:attachment":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1001"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}