{"id":1252,"date":"2004-02-25T12:30:00","date_gmt":"2004-02-25T01:30:00","guid":{"rendered":"http:\/\/hifi-writer.com\/wpblog\/?p=1252"},"modified":"2010-03-14T00:02:35","modified_gmt":"2010-03-13T13:02:35","slug":"is-black-and-white-cinema-that-good","status":"publish","type":"post","link":"http:\/\/hifi-writer.com\/wpblog\/?p=1252","title":{"rendered":"Is Black and White cinema that good?"},"content":{"rendered":"<p>Having just read <a href=\"http:\/\/www.2blowhards.com\/archives\/001315.html#001315\">this Blog entry<\/a> from <a href=\"http:\/\/www.2blowhards.com\/\">the erudite 2Blowhards<\/a> on the wonder of black and white cinema, I feel rather inadequate. I prefer colour in general, and clearly I haven&#8217;t educated myself enough about the mood differences generated by different cinematic techniques. But part of the reason for that is that for me they frequently don&#8217;t bite. Issues of tone and texture do not make a lasting impression on me, whether on screen or in music. It seems that they do for others.<\/p>\n<p>For me the main game is what is being represented: the characters, the plot. (In the case of music, it&#8217;s the melody, harmony, rhythm and dynamics, not the texture of the orchestration &#8212; Just yesterday I listened to Glenn Gould&#8217;s rendition of Liszt&#8217;s piano transcription of Beethoven&#8217;s 5th Symphony, even though I have a couple of orchestral versions. The piano, and Gould&#8217;s idiosynchratic style, bring out much for me.)<\/p>\n<p>In any case, a great deal of black and white movie making prior to, say, the mid-50s was not for artistic reasons but for commercial. Colour was more expensive, and so wasn&#8217;t used unless the producers judged that there would be a reasonable return on investment (<a href=\"http:\/\/www.imdb.com\/title\/tt0048545\/\"><em>Rebel Without a Cause<\/em><\/a>, for example, commenced shooting in black and white, but then was re-shot in colour when the producers decided that it was going to be bigger than they had anticipated.)<\/p>\n<p>That, of course, is a far cry from recent movies where black and white has been chosen on purpose.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Having just read this Blog entry from the erudite 2Blowhards on the wonder of black and white cinema, I feel rather inadequate. I prefer colour in general, and clearly I haven&#8217;t educated myself enough about the mood differences generated by &hellip; <a href=\"http:\/\/hifi-writer.com\/wpblog\/?p=1252\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[31,5],"tags":[],"_links":{"self":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/1252"}],"collection":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1252"}],"version-history":[{"count":1,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/1252\/revisions"}],"predecessor-version":[{"id":1253,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/1252\/revisions\/1253"}],"wp:attachment":[{"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1252"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}