{"id":198,"date":"2009-07-14T22:38:39","date_gmt":"2009-07-14T11:38:39","guid":{"rendered":"http:\/\/hifi-writer.com\/wpblog\/?p=198"},"modified":"2010-01-27T21:11:41","modified_gmt":"2010-01-27T10:11:41","slug":"its-not-anamorphic","status":"publish","type":"post","link":"https:\/\/hifi-writer.com\/wpblog\/?p=198","title":{"rendered":"It&#8217;s Not Anamorphic"},"content":{"rendered":"<p>In my disc database I have tick boxes to describe the presentation of the main feature of the disc. These include &#8216;Pan and Scan&#8217;, &#8216;Widescreen Anamorphic&#8217;, &#8216;Widescreen Non-anamorphic&#8217; and &#8216;Widescreen cropped&#8217;. Pretty much by habit I&#8217;ve been ticking the &#8216;Widescreen Anamorphic&#8217; box for Blu-ray discs, but it has recently occurred to me that Blu-ray discs aren&#8217;t anamorphic.<\/p>\n<p>The word relates to a type of lens used more frequently in the 1950s in the early days of widescreen cinema. The film frames in most cinematographic formats retained the old 1.37:1 aspect ratio, and the obvious way to make them widescreen was just to shoot as usual, but with a mind to masking off the top and bottom of the frame for later cinema presentation.<\/p>\n<p>However, that wasted a lot of the resolution of the film, so one alternative was to use a special anamorphic lens to distort the picture during photography. This squeezed the picture in sideways so that the widescreen picture could fit into a normal film frame. Then a lens to reverse the process was used at the cinema, stretching the picture sideways, so that its contents were restored to their correct proportions.<\/p>\n<p>The term was carried over to DVD. The same frame was used both for &#8216;standard&#8217; TV style video with a 1.33:1 aspect ratio, and for the various widescreen formats. &#8216;Anamorphic widescreen&#8217; DVDs scaled the picture out sideways to achieve a 1.78:1 aspect ratio. The alternative was letterboxed widescreen, which wasted several tens of per cent of the pixels on the screen, due to the black bars at top and bottom.<\/p>\n<p>As an aside, even 4:3 DVDs had to be scaled. Most NTSC DVDs were delivered with a picture resolution of 720 by 480 pixels, but for square pixels a horizontal resolution of only 640 pixels was appropriate. For PAL DVDs (720 by 576), a 4:3 picture needed 768 square pixels of display width, so these had to be scaled out in width a little.<\/p>\n<p>But none of that applies to Blu-ray. The picture is held at 1,920 by 1,080 pixels, which is 16:9 format with square pixels. It is designed to be displayed on a a natively 16:9 display (preferably with a matching number of pixels), so there is no scaling at all. Blu-ray pictures are not anamorphic, even though they are commonly referred to as such on Blu-ray packaging.<\/p>\n<p>Except for Constant-Image-Height fans. They distort the picture twice at the display stage &#8212; once electronically to scale upwards from 2.35:1 to 1.78:1 &#8212; and then immediately reverse the process optically with a reverse anamorphic lens which can be swung into place. The purpose of this is, I believe, to replicate the way the picture widens at the cinema for the wider formats. I just don&#8217;t like the picture damage this introduces.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In my disc database I have tick boxes to describe the presentation of the main feature of the disc. These include &#8216;Pan and Scan&#8217;, &#8216;Widescreen Anamorphic&#8217;, &#8216;Widescreen Non-anamorphic&#8217; and &#8216;Widescreen cropped&#8217;. Pretty much by habit I&#8217;ve been ticking the &#8216;Widescreen &hellip; <a href=\"https:\/\/hifi-writer.com\/wpblog\/?p=198\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,5],"tags":[],"_links":{"self":[{"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/198"}],"collection":[{"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=198"}],"version-history":[{"count":1,"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/198\/revisions"}],"predecessor-version":[{"id":199,"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=\/wp\/v2\/posts\/198\/revisions\/199"}],"wp:attachment":[{"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hifi-writer.com\/wpblog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}