Movie: Picture: Sound: Extras:
Knowing and The Box are both science fiction movies made by exceptional talents. But both miss the mark as movies.
The reason is simple. In each case the denouement is pure 1950s hard core SF. And that's something that -- much as I love it, as I love those stories -- is unlikely to cut the mustard in 2010. Or even in 2009 when they were both released. Unfortunately, both movies spend most of their time pressing 'horror/thriller' buttons in their audiences up to that point, and so their resolutions didn't go down all that well.
Except for me, anyway.
The respect in which the directors are held is attested to by the fine casts they brought on board in relatively low budget undertakings: Nicolas Cage and Rose Byrne for Knowing, Camera Diaz and James Marsden for The Box.
The director of Knowing, Alex Proyas, is best known for his excellent early movies: The Crow and Dark City, and his 2004 Hollywood blockbuster I, Robot. Kelly is best known for his extraordinarily intelligent and moving Donnie Darko, which he followed up with the nearly incomprehensible Southland Tales. In both of those movies he was the master of the portentous scene, a talent that is on display here as well.
Knowing has the better picture quality, primarily because Kelly seems happy to accept occasionally soft cinematography. But both movies transferred to Blu-ray in MPEG4 AVC format rather nicely and that occasional softness isn't off-putting.
The distributor of both discs, Icon Film Distribution, has been gradually settling on a standard presentation for its Blu-rays. And it has been releasing its movies on Blu-ray at quite a clip, putting out more in recent months than most of the major studios.
Knowing was released about seven months before The Box, but it already includes both Dolby Digital and DTS-HD Master Audio for the sound. (A month or so later Icon asked me which I recommended, and I basically said that both were pretty much as good as each other.) This is a standard now for Icon: it includes both formats when they are available.
Knowing gets them at 16 bits of resolution, while The Box scores 24 bits. That more than doubles the audio bitrate, but since both discs are dual layer and neither movie is particularly long, this doesn't impact severely on the video bitrate. Both get around 22Mbps in the MPEG4 AVC format. Knowing is encoded at precisely 24 frames per second (which I mark with an asterisk thus: 1080p24*), whereas The Box gets the more common 23.976.
That weird frame timing ultimately comes from the introduction of NTSC colour in the 1950s. Previously the US TV system ran at 60 frames per second. For some arcane technical reason the introduction of colour prompted a reduction of speed by a factor of 1/1001, leading to 59.94fps becoming the standard. Why this should have translated through to 23.976 (= 24/1.001) being the Blu-ray standard is unclear. Perhaps this was thought necessary for a conversion back to 59.94 for display on American TV sets.
Still, both discs work fine on decent equipment. And both have about a half hour of interesting 'making-of' style HD featurettes and commentaries by their directors.
If you like old-fashion science fiction denouements, then you will enjoy both of these movies, along with their atmospheric sound and build up of tension.
The following video bitrate graph was generated by BDInfo 0.5.3: