It’s the hands that are the problem

I’ve just finished watching, belatedly, The Polar Express, which I recorded last year from digital TV.

This one is often fingered as representative of the ‘uncanny valley’, in which motion captured animation, and other almost-realistic animation, can result in a creepy looking walking-dead effect. The faces were definitely variable in their movement, and generally looked underdone. Nearly all the work went into the eyes and eyebrows, and far too little into the subtle movements around the lips and cheeks.

Nonetheless, I didn’t find it creepy or disturbing.

But what really does put me off was the hands. They just didn’t look realistic in grasping things. That was a 2004 movie. By 2011 in The Adventures of Tintin: The Secret of the Unicorn, the faces were better than ever, but not the hands. As I wrote in my review:

But the main reason for adding this movie to your collection is that it is a milestone in animation. The characters were driven from motion capture of real actors, and the ‘walking dead’ sense that this technique often delivers was completely absent. The eyes were especially well done, the mouths a little less so, but still quite adequately. The only significant weakness was the hands. When picking up things they seemed clumsy.

Posted in Cinema | 1 Comment

Down memory lane

On 2 March 1983 the CD was launched it the US and Canada (it was October the previous year in Japan). Australia was not far behind. I bought the second CD player to be sold in Canberra, or so I was told by the retailer, on 25 May 1983. It was the Sony CDP-101. The other day I stumbled across the receipt:

Purchase receipt - Sony CDP-101 - 1983

Expensive, huh? According to the Australian Bureau of Statistic’s inflation calculator, that $1,199 in June 1983 is equivalent to $3,494 in December 2012.

Posted in CD, Equipment | Leave a comment

Cabasse in Sydney

Well I’ve just landed in Sydney to see what the latest goodies from French firm Cabasse are (see my last experience of La Sphere). I’m at T2 having flown here and they’ve arranged Uber transportation, which is apparently contracted hire cars which you summons by means of a smart phone app.

Which I’ve tried to do, the net result of which is a text message saying they can’t find a car for me ‘at this time’ and asking me to ‘try again soon.’ Lucky it’s 11:08am and I don’t have to be in the city until 1pm.

UPDATE: Third time lucky. After a cuppa at T2 I tried again and this time the car was just four minutes away. Very pleasant trip, although it took a while to get into town (thanks to those cars that smashed not far from Bourke Street), and now just waiting for the whole thing to start.

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Another dozen reviews

I’ve been adding more of my reviews over on the appropriate page, a dozen in fact, including some damned fine movies. Just look for the bold ‘added’ items.

Posted in Blu-ray | Leave a comment

My God, it’s Kurtwood Smith!

From a Wall Street Journal tech report:

Kurtwood Smith in ad?

Yep, that guy in the middle. Or maybe it’s not. Imagine looking like the murderer of Peter Weller and, consequently, a contributor to the creation of Robocop:

Kurtwood Smith in Robocop

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Lake Placid

Lake Placid 4 coverJust received a press release for a DVD for the latest in the unexpected monster-in-the-lake franchise, Lake Placid. The new one is called Lake Placid: The Final Chapter. I ducked over to IMDB to see what it might be like and two things stood out. First, the user rating was 4.0/10. Second, the front page user comment was entitled: ‘The best of the Lake Placid movies since the first’.

And you know, the sad thing is that the commentator is probably right.

The original movie with well-known actors scores a pretty poor 5.5/10. The next two get only 3.1 and 3.5 stars, so with 4.0/10 The Final Chapter apparently is both dreadful and the best after the original.

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Another view: high res audio is a waste

If you want to know lots about how digital audio works, and a pretty damned convincing explanation as to why high resolution audio (24 bit, up to 192kHz sampling) is a waste, I can’t recommend too highly this piece from by Monty Montgomery from xiph.org: ‘24/192 Music Downloads … and why they make no sense’.

There is one small divergence in my views. I think the claim that sound might be degraded by intermodulation distortion due to ultrasonic content is overblown. Technically I’m certain it could make an appearance. But I note that the test file for this contained in the article carries two sine waves at 30 and 33kHz, both of which are around -6dBFS. In real world recordings content above 20kHz is very low, typically -60dB or more. Here, for example, is the spectrum of the output of the two channel SACD version of ‘Money’ from Pink Floyd’s Dark Side of the Moon … a loud bit, normalised to full scale:

Frequency spectrum

Notice that at 20kHz the output is around -84dBFS, and it rapidly falls to over -100dBFS? Any IM products these produce would be way below audibility.

The one thing I’d add in support of the piece, but which is not covered therein, is that 24 bit audio blows out the download file sizes disproportionately for the losslessly compressed versions, roughly doubling them in my estimation, rather than increasing them by the expected 50%. (The reason why is here.)

(Also, I have a test pressing of The Three Musketeers — no box, no slick — for the first to request it in comments. Australian postal addresses only.)

Posted in Audio, Codecs | 2 Comments

Benchmarks

Two things I remember from computer magazines from the days when both computers and I were young were: code segments and benchmarks.

There’d be chunks of computer code that you could type in. Some were merely small routines, some were multipage listings of useful little programs. Mostly they were in BASIC, and could with minimal adjustments be made to run in most computers. Some were specific machine language chunks — which were simply lists of numbers and thus great fun to type in … A BASIC program would invoke these for faster performance in certain high-intensity functions.

Benchmarks were short programs that performed a function for a specific number of loops to see how fast the computer (or language) operated.

The problem with benchmarks is that both computers and programming languages got better. Some compilers had optimisation routines that would detect and eliminate pointless sections of code … such as loops. And where they still worked, a program that provided a useful speed measure would be obsolete a few years later for the crime of now running far too fast.

However it turns out that one consistent benchmark has been in use by one John Walker, a co-developer of AutoCAD, for a very long time. It uses intensive floating point operations. Read the gory details here. And check out the results.

Unfortunately dates and years aren’t listed, but near the top of the benchmark list are multiple entries for the IBM PC/AT running the Intel 80286 processor at 6MHz. That was a pivotal machine in the development of the personal computer industry, both in itself and as the basis for innumerable clones. It was available from 1984 to 1987.

The machine used in these benchmarks would have been far faster than in these floating point operations than the norm because it also sported an 80287 maths co-processor. (Later in the Intel lineage — with the introduction of the 80486 — the co-processor became part of the standard chip.)

Indeed, his list of results spans the years from then until a 3.4GHz Pentium 4, which is a processor released in 2004 and which presumably falls way short of modern performance.

So, in those twenty or so years the time to run a thousand iterations of this benchmark in a compiled C program (using the maths co-pocessor) has fallen from a best of 63.07 seconds to 0.00862 seconds. That is, it was 7,000 times faster.

Incidentally, the run time on the PC/AT using Basic rather than C was over 3,000 seconds.

Posted in Computer | 1 Comment

Interesting way of getting sound

Watch this video and see if you can see how it works:

The Kaiser Baas product, called the ‘CONTACT’, is just under $60.

My first thought was that it senses the vibration, or has a little microphone built in. But no, apparently it uses something called ‘near field audio’. This doesn’t even have a Wikipedia entry yet. It seems that the gadget picks up the sound by means of good old fashioned magnetic induction from the speaker in the phone. (Remember the suction cap gadgets by which you could record a call from an old-fashioned microphone telephone?)

That makes it pretty much independent of the model — so long as you put it in the right place for the unit’s built in speaker to be detected by the induction coil. Of course it won’t work with an iPod Classic, Nano or Shuffle (no speakers in them to induce any currents). And the sound may very depending on the source unit since they may have shaped frequency responses to optimise the performance of their pitiful inbuilt speakers, and this is presumably different from model to model.

Still, an interesting concept. I’ll see if I can get ahold of one to review.

Posted in Audio, Portable | Leave a comment

A Bit of Bluegrass

Do click. It’s worth it.

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