Exciting New Product from Kogan!

I’ve reviewed a few products over the years from direct to consumer importer, Kogan Technologies, and while it tends to attract derision from some of the more obnoxious home entertainment enthusiasts, I reckon it does a decent job providing so-so products at very good prices. Occasionally, as with its first Blu-ray player, it does something pretty ground shifting.

And now it has a new product, something I would never have expected from an Australian business. It’s called the Kogan Portector.

And its a comedy, taking on the Australian Federal Government’s silly desire for Internet filtering. It’s all explained in this YouTube video.

Bravo Kogan!

Posted in Computer, Equipment | 1 Comment

Pixar still has it

A while back I asked ‘How long can they keep it up?‘ I was pointing out that Pixar had delivered a total of ten movies, which at worst were very good, and eight of them were in the IMDB Top 250 list.

Now Toy Story 3, the eleventh, has been released, and in its first weekend of release in the US, has made $US109 million, according to BoxOfficeMojo.com. According to IMDB, with 6,000+ votes it rates at 9.4/10, a ludicrous result. The more restrictive Top 250 list has it at #34 with a score of 8.6 — only ‘regular voters’ are counted for this, and the score is weighted to take into account the number of votes.

I haven’t seen the movie of course, but 8.6 seems like a more reasonable result. As the days and weeks pass, there will be two forces on this figure. First, the initial rush of voting by uncritical fans will die down, bringing down the front page figure and applying downwards pressure to the figure on the Top 250 page.

Second, as more valid votes are added, the weighting formula will give the result  a boost (the more votes, the closer to the actual headline rate that it’s allowed).

Meanwhile, I can think of only three other series of movies in which the third part largely measured up to, or was even better than, the first two. Using the IMDB front page votes we have:

Series Episode 1 Episode 2 Episode 3
Toy Story 8.2 8.0 9.4
Lord of the Rings 8.8 8.7 8.8
Star Wars (original) 8.8 8.8 8.3
The Bourne X 7.7 7.6 8.2

Perhaps I’m being too kind to Star Wars. Any others?

Posted in 3D, Cinema | 3 Comments

A Bit on the Slow Side

One of the enormous pleasures of being self-employed is the many exciting hours one spends doing paperwork related to taxes one must pay.

Fortunately, I am in a position to temper the extreme joy by having a beer (or two) at my left hand, and music emerging from my speakers. My computer speakers, actually, despite having a much better system in the same room. My desk isn’t ideally suited to them, geometry-wise. In any case, I find that I really must play music loud to have the desired effect, and since it is now quite late at night, having the full system going full bore would no doubt lead to a visit from my former police colleagues.

My computer speakers tend to be a little better than the average. For quite a while I was using a set of Bose Computer MusicMonitor speakers, which really are remarkably good for such tiny little things.

Note the proviso: ‘for such tiny little things’. In fact, sometimes I like to have a good blast of volume — say when I’m doing tax-related paperwork. And I pretty much always like to have well-extended bass.

So some months back I decided to put together a computer speaker system from some odds and sods I had laying around. For speakers I used the VAF Research DC-1 speakers which I purchased years ago as surround speakers. These still sound pretty decent, with good detail, but their very nature (bass driver is 100mm) limits what they can do at the bottom end.

Fortunately, back in the late 1990s I built myself a little subwoofer. A 203mm driver in a reasonably compact enclosure, made of 25mm MDF, bass reflex loaded. This was passive, but I had a little 50 watt subwoofer amp that I had also built. Using its crossover, though, left the main sound a little buzzy. So I tossed the little amplifier, and made use of my old home theatre receiver.

This is the Marantz SR-18 which had been my main receiver for many years, but its front end had been left behind by technology. It does Dolby Digital and DTS of course, but doesn’t support HDMI and only has 5.1 channels.

Oh, but what channels! It is rated at 140 watts from each of them, and this is actually an honest measurement (I checked myself). In two channel mode it runs at a clean 180 watts per channel.

Continue reading

Posted in Audio, Equipment, Giveaway | 7 Comments

Roadshow Entertainment releases

Roadshow Entertainment releases. I see that Roadshow Entertainment will be releasing the Lord of the Rings Trilogy on Blu-ray as a box set on 5 August 2010, with an RRP of $99.95 for anyone that wants to save a few bucks.

Note, also, The Hurt Locker is available (DVD and Blu-ray) from next week (25 June). I’ve had a quick look at the disc, and the picture quality seems pretty good.

Posted in BD-Live | 4 Comments

Blu-ray vs DVD comparison: Y tu mamá también

Yes, the well regarded Mexican movie Y tu mamá también (‘and your mother too’) is now out on Blu-ray. My Blu-ray vs DVD comparison shows surprisingly little difference between the two. Go here to see it. Here’s a sample:

Also, I’ve added my Australian HI-FI reviews for This Is Spinal Tap, and Led Zeppelin: The Song Remains the Same.

Posted in Blu-ray, Disc details, DVD | Leave a comment

3D without the glasses?

Reader James has emailed a very interesting question:

I went to the movies with my 7 year old son and a couple of his friends yesterday to see the new Shrek 3D. I saw the movie at Burwood Greater union in Sydney.

When I got to the titles I took my glasses and was thinking about what you had been talking about with the individual images for each eye and remembered back to the days when they made those “magic eye” books (image link here). The book told you to stare at the dots at the top of the 2D image until you refocused to see the hiddden 3D image. The other technique I learned to see the images was to cross my eyes and then slowly uncross them until i go the 3D image. So I tried this yesterday and it seemed to work. I was able to get the words on the screen to be in focus. Once the image cut to the next title though or there was a lot of movement on screen I lost it and had to start again.

Does the new 3D movie technology use the same basis for the magic eye books? If I were to use the glasses would that mean I could look at a magic eye book and see the images?

As it happens, I had no idea how the pictures in the Magic Eye books worked. But Wikipedia helps. These use one style of ‘autostereogram‘, which is a way presenting two different images — one for each eye — within the one picture, without the need for glasses. The Magic Eye ones use a type of this, called the ‘Random dot autostereogram’, but other forms use more coherent pictures.

Anyone who isn’t familiar with this kind of thing ought to go to the article and click on the picture on the top right.

From memory, the books’ instructions suggested that the viewer should kind of look through the picture, as though looking at something in the distance. This never made much sense to me, but it did work … eventually and uncertainly. I could understand how anyone who hasn’t actually made it work for them would regard this as some kind of weird superstition, like homeopathy, and that people who claimed to see the effect were simply deluding themselves.

Anyway, the reason it didn’t make sense to me was that I was taking the wrong message from the instructions. I was thinking that it had something to do with the depth at which the eyes were focused. But that isn’t the case at all. It all has to do with the directions in which the eyes are pointed.

If you look at something close, your eyes point in a little so that they are both directed at the same point. There is an imaginary triangle with the object being viewed at the apex, and your eyes at the base, looking down the sides. If the object is close, the eyes must angle in quite considerably. Most people can bring them in by thirty degrees or more (look at a finger and bring it slowly closer to your nose).

If you look at something far away, the apex is distant, and the angle away from parallel vision accordingly diminished. At an extreme, they angle in an unmeasurably small amount — ie. they are looking out in a parallel manner.

As Wikipededia explains, but is readily apparent just by trying it out, your eye focus and the swivelling of the eyes according to distance, tend to be somewhat tied together. As it says, autostereograms work if you can decouple the two processes. You actually want to be focused on the item in front of your nose, while having your eyes pointing as though you were looking at a distant scene. This, apparently, is called ‘wall eyed’.

Other autostereograms work in reverse (and some work both ways) by adopting a cross-eyed look.

The aim of all this is for each eye to — yes! — get a different picture to the other.

In a typical cinema you are quite a long way from the screen, so the wall-eyed approach presumably wouldn’t work. But I can imagine that with some material cross-eyed may well do the trick. What’s happening here is that when you look at 3D video material without the eyewear, you are seeing the two pictures merged into one. Autostereogram techniques could possibly permit them to be separated sufficiently again into distinctly different images for the eyes to allow the recreation of the 3D effect.

But I would expect this to work only for simple images (eg. credits). For autostereograms to work, I suspect that complex multi-layered 3D stuff would be too hard for the brain to stitch together in the requisite time period.

Would it work in reverse? Can you use 3D glasses on autostereograms?

No. The movie techniques for separating a single image into two are through different planes of light polarisation (in the cinema), or different images in sequence (3D Blu-ray in the home). An autostereogram doesn’t present either of these.

Posted in 3D, Imperfect perception | 2 Comments

A Trip through Home Entertainment Time

A while back reader James came to my rescue with some video tapes so that I could do a VHS vs Blu-ray vs DVD comparison. I grabbed the video fairly quickly, then procrastinated for ages. In the end, though, I finally pulled it together and published a multi-page piece in a recent issue of Sound and Image magazine.

Now I’ve put it up on this site. Basically, I’ve grabbed the same frames from three different versions (VHS, DVD and Blu-ray) of three different movies, and put them side by side.

See the piece here: ‘Gettin’ better all the time: VHS to DVD to Blu-ray‘.

Posted in Blu-ray, DVD, Video tape | 2 Comments

Robin Hood at the cinema

Last week I went with my family to see the new new Robin Hood movie at Hoyts at Woden. Pretty unimpressive experience, really. The movie itself was okay, if a  little Forrest Gumpy in the way that Robin was responsible for everything (hey, the Magna Carta was his — or his dad’s — idea!)

But the print was not very good. There were random specks, which didn’t worry me too much, but there was consistently almost horizontal thin dark lines across the sky. Every time there was some visible sky and I remembered to look (maybe twenty times throughout the movie), there they were, looking like an ethereal flight of arrows shooting through the air.

I was trying to work out what kind of print damage could produce this effect, when a marked signal dropout occurred, taking out for a couple of frames the full width of the picture, but only for about one tenth or less of the picture height, about two thirds of the way up, in what looked a lot like a burst of static or interference.

This repeated itself twice more through the course of the movie.

Very weird. I couldn’t see how this could happen with film. It looked like a brief signal interference in an electronic projector, with the signal fed in scan line format (ie. by component video, say).

So I had worn-film dust flecks, analogue video drop-out in the signal to an electronic projector, and weird dark thin lines with no obvious explanation at all. The lines didn’t seem to be horizontal, in which case a video signal interference doesn’t seem a likely explanation (since this would take out sections of scan lines, which are horizontal), but I could be wrong.

Bemused, I waited to the end and when the credits were rolling, went up close to the screen to examine it. And there was a clear regular pixel structure visible. At first I thought that sealed the deal: that this was an electronic projector. But then it occurred to me that a digital intermediate production step was probably used, and that this may have left a visible pixel structure when you’re a metre away from the screen. (A quick check of IMDB discloses that, yes, a 4K digital intermediate was used.)

In addition, the white text on black credits seemed to have a doubling of their horizontal strokes in a way reminscent of some low quality home theatre projectors.

I shall have to call Hoyts next week and ask them what projector they were using.

By contrast, a few weeks ago I saw The Hurt Locker at our local cinema, Limelight, which proudly uses digital projectors, and the picture quality (and sound) was fine.

And last night I watched Avatar on Blu-ray. With the Epson EH-TW5500 projector, it made me wonder why I had spent $16 to go to Hoyts. That was how a modern movie should look.

Posted in Blu-ray, Cinema | 3 Comments

Full Metal Bitrates

I’m working on something at the moment for this site, and stumbled across something interesting: the video bitrates for the original, terrible, release of Full Metal Jacket on Blu-ray, and the considerably improved, remastered Deluxe edition.

The original one had an average video bitrate of 23.70Mbps in MPEG2 format, while the improved one got by with 17.07Mbps in VC1 format. Somehow, I don’t think either the compression format nor the average bitrate had much to do with final picture quality: it all came down to the quality of the original prints used.

Posted in Blu-ray, Disc details | Leave a comment

Blu-ray giveaway – Atlantis

Apparently in his early years French Writer/Director Luc Besson’s parents were scuba diving instructors, so he was much taken with the ocean, but had to abandon his diving after an accident in his late teens. So it isn’t surprising that some of his work involved the ocean, including the documentary Atlantis: A World Beyond Words.

Like most of Besson’s other movies, distribution in Australia is now being handled by Madman Entertainment.

I have a copy of Atlantis on Blu-ray to give to the first Australian resident to ask in comments. Proper disc, but no box. Details: 79 mins, 2.35:1, 1080p24*, MPEG4 AVC @ 20.13Mbps, French Stereo Audio, LPCM 16/48 @ 1536kbps, English subtitles, Extras: Trailer (576i50, MPEG2, DD2.0 @ 256kbps – 2 mins).

Posted in Blu-ray, Disc details, Giveaway | 2 Comments